Those pesky social scientists

Sadly, Jade is [insert Tyra Banks overly dramatic delivery here] “still in the running to become America’s Next Top Model“. She’s too old and too deluded. Why is she still on this show?

On another, less plebian note, new episode of Lost last night. Now they’re running rather creepy commercials (as well as print ads) for the Hanso Foundation as part of an online name. Basically, more clues about Alvar Hanso, the DeGroots, and those other fun folks at the Dharma Initiative.

I’m still annoyed beyond belief at what they did to Libby, the Cynthia Watros character. There’s an interview out there with an executive producer. Nice spin job, not too terribly convincing. It seems far more likely her character met the fate she did because of the DUI incident. I’m just ticked because I’ve liked Watros since she played crazy Annie Dutton on Guiding Light. On the other hand, it appears she’ll have some future appearances in flashbacks so that’s one consolation.

Other than that, it was a most interesting episode. I’ve been wondering if the task in the Swan hatch were part of a Skinner Box or a Milgram experiment, and it appears I am not far off. A friend of mine has a theory it’s all part of a virtual reality experiment and that’s possible too. I guess we’ll see.

Insomnia reared its ugly head again. This time I ended up listening to the commentary track for Revenge of the Sith. It was ROTS or the end of That Certain Woman with Bette Davis and Henry Fonda. That looked turgid. The next film up was Marked Woman. Bette is a “hostess” (contemporary audiences would have known “hostess” equaled prostitute) at a mobster’s nightclub. This was a way of getting around the Hays/Production Code).Her innocent sister gets mixed up in the nefarious goings-on and it’s up to Humphrey Bogart (the DA) and Bette to get justice. Interesting flick, but I’ve only seen it six times. So I settled on Revenge of the Sith.

Like all the other Star Wars commentary tracks, it’s sadly lacking. I can appreciate the special effects, but I’m far more interested in the story and the acting and the writing. The Star Wars’ commentary tracks, by and large, are devoted to the technical aspects of the movies. That’s fine and lord knows, they have their place and their own fanbase. What I don’t get is why they can’t spring for two separate tracks. You have one for the actors and maybe Lucas (who still has a hard time fathoming the necessity for exposition and character development) and one for the production ends of things. Far lesser films–heck, films with much lower budgets–manage to have multiple tracks. Somebody wanna tell me why they can’t manage to do this for Star Wars?

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